Guestblog: Head In A Vice

You want great reviews, look no further, Tyson at Head in a vice is the site for you. Don’t forget to check out his Desert Island Films (especially number 28 which is my desert island list) or his De Niro projekt.

In his own words:
My name is Tyson Carter and I’m from the United Kingdom. The reason I started this blog is likely to be the same reason why most people start a blog – to share an opinion. I have been obsessed and fascinated by films ever since as a young boy I walked in on this exact movie scene playing on our TV. I’m sure I had sat through a whole host of kids films prior to this moment, but as soon as I saw Casino I felt different, almost as if my little mind started to realize that there was this new world of films out there that wasn’t aimed at children, and I began my quest to see as many of them as I could.

Many years later I decided to try and share my feelings and thoughts on the films I had seen in an effort to vent my opinion, and hopefully meet some like-minded people along the way. I set up my own site in July 2012, and I try to offer reviews on some of the more obscure horror and violent films in the attempt of unearthing some hidden gems for people.

I deliberated over my blog name for ages trying to think of something cool, catchy and different, yet in the end I decided I may as well go for the one thing that started my love affair for films, and that’s how ‘Head In A Vice‘ was born.

I present: Head In A Vice


love-movie-posterLove (2011)
After losing contact with Earth, astronaut Lee Miller becomes stranded in orbit alone aboard the International Space Station. As time passes and life support systems dwindle, Lee battles to maintain his sanity – and simply stay alive. His world is a claustrophobic and lonely existence, until he makes a strange discovery aboard the ship. Love is a 2011 science fiction film produced and scored by the rock band Angels & Airwaves. The film is the directorial debut of filmmaker William Eubank and stars Gunner Wright as the astronaut Lee Miller. It took over 4 years to complete and the actual space station was built in the directors parents back yard to cut down on costs. Please don’t let the low-budget approach put you off, Love is visually incredible to look at as I hope some of the pictures throughout this review show.
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220px-chapter_27movieChapter 27 (2007)
A haunting look at the mental collapse of Mark David Chapman in the days leading up to the murder of legendary musician John Lennon. Jared Leto stars as the man whose awe of Lennon and unrelenting drive to achieve infamy pushed him to pull the trigger on the former Beatle.

On December 8, 1980, Mark David Chapman shocked the world by murdering 40-year old musician and activist, John Lennon, outside The Dakota, his New York apartment building. Since I am a little too young to have witnessed The Beatles in their prime and the aftermath, I had to do a little research before and after I watched Chapter 27. I actually saw it years ago but really felt I was missing a lot of the references to the 1951 novel Catcher in the Rye by J. D. Salinger which is mentioned throughout the film and actually what the title refers to. I was determined to watch it again at some point and have finally got round to it. I finished Catcher in the Rye a few months ago and having now seen the film again it does make a lot more sense.

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Reservoir Dogs (1992)
What can I say about Reservoir Dogs that hasn’t already been said a million times, by people much more respectable than me? Not a lot, but I’ll throw some stuff out here anyway. For those that don’t know, the plot goes a little something like this: a diamond heist goes bad and the thieves are left to pick up the pieces back at their warehouse headquarters, all the while suspecting that a traitor in their midst sabotaged the operation.

Tarantino’s style can be seen immediately in the opening scene, and it showcases what most people associate Tarantino with; dialogue. The conversations his characters have in all his movies, I mean, you can tell a Tarantino film just by tuning in to a conversation. The smallest, most subtle things take on so much meaning, and for me no one writes like this man. I didn’t see the film on its release (as I was 10 years old) but I can imagine people watching it, wondering who the hell this Quentin Tarantino guy was, writing, directing and acting in his debut movie. Then the opening scene kicks in and we are listening to some guys talking about random things like tipping and the subtext of Madonna’s Like a Virgin song. It just holds and demands your attention, then the guys leave, the suave crew walking out of the diner in slow motion, set to the George Baker Selection’s super cool Little Green Bag. Wow. You’re just hooked, and here we are over 20 years later, the effect has not diminished at all.

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Casino (1995)
I thought I should write about the first movie I ever saw that really grabbed hold of me and demanded my attention. Sure, I had seen plenty of kids movies before this, but the day I accidentally walked in on Casino changed the way I viewed films and gave me an appreciation for something that I can’t imagine ever losing. For anyone who hasn’t read my About Me page, the name for my blog came from the scene in which Joe Pesci’s character ‘Nicky’ decides the best way to get information from someone is to put their head in a vice. I walked in one this exact scene and here I am many years later writing a blog named after it. As for the actual film, Casino is a 1995 crime drama film directed by Martin Scorsese. It is based on the non-fiction book of the same name by Nicholas Pileggi, who also co-wrote the screenplay for the film with Scorsese. The two previously collaborated on the 1990 film Goodfellas. Casino is about a gambling prodigy called Sam (Ace) Rothstein, played to perfection by De Niro, who supervised a thriving hotel casino in its glory days. He is more of a number-cruncher than the swaggering mobster he portrayed in Goodfellas. So Ace depended on the protection of his vicious best friend, Nicky Santoro, superbly portrayed by Joe Pesci.

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Norbert Caoili

I am proud to share with you today an interview with Norbert Caoili. Norbert co-directed the movie Frayed (which I loved and you can see my review here) as well as being one of the writers and producers.

We got talking after he found my review, and very kindly agreed to answer a few questions about the film. He was very generous with the answers he gave, and as this was my first ever interview, I cannot thank him enough for being so patient and answering more and more questions as I thought of new ones. This was an absolute honour to do, first and foremost because I am a huge fan of the film but also because of how cool and friendly Norbert is. There are even some exclusive details and a trailer for a potential sequel, as well as an excellent behind the scenes making of video. I hope you enjoy this as much as I did, and please be sure to check out all the videos and links shown here, as well as the movie obviously!

Tyson – Hi Norbert, thank you so much for giving up your time to do this. First things first, how did the title Frayed come about? It is certainly a unique name!

Norbert – That’s a great question. My co-writer & co-director, Rob Portmann actually came up with that title. For the longest time, the working title for our movie was “Alone”. In the behind the scenes shots, you can actually see us wearing “Alone” shirts and hats. Right after we were accepted to Screamfest for our premiere, we learned of a foreign horror movie called “Alone” also premiering at the festival. We decided at that point to officially change the title to our alternate title, “Frayed”. “Frayed” turned out to be a much more original title and better connected with the theme of the movie – to come apart at the edges – much like Kurt’s mind.

Tyson – How did it work out having 3 writers and 2 directors?

Norbert – Rob Portmann, Kurt Svennungsen and I were like a three-headed monster working together on the project. We were in sync for the most part with our vision of the kind of story we wanted to tell and what we wanted the movie to feel like. We had shot many short films in our childhood, but this was our first time co-writing a feature script. When it came to the actual writing, we all worked on the script separately, then came together, compared notes and picked the best from all of our ideas. It worked out pretty well. On the shoot, we leaned on each other when situations got rough on set. Since we were sleep deprived most of the shoot, Rob and I helped each other out when one of us was running out of gas. Our vision was very cohesive and Rob did such a great job storyboarding nearly every shot of the film. The biggest challenge was in the editing room. All three of us oversaw the edit, with me at the controls. We definitely had differences of opinion on cuts, pacing, etc. at times. Sometimes the only way to resolve disagreements was to vote. Majority would win.

Read the rest of the interview here

About Rincewind

Love my vintage pinups, burlesque, smoking fetish and weirdness. Swedish person lived in Sweden, London and now Prague. Love moving around, metting new people. Open your mind for new experiences.

Posted on October 9, 2013, in Guestbloggers and tagged , , . Bookmark the permalink. 2 Comments.

  1. Thanks again for this, sorry Im a little late getting to it! An honour to be featured on your great site, heres to us! 🙂

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